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How to Be in Two Places at Once: The Firesign Theatre in the US and Vietnam

By KCRW, Andrew Leland

Four comedians trained in poetry and psy-ops, Firesign Theatre created dense, album-length art-objects that could take multiple spins to understand. Comedy in the form of abrasive soundscapes that reviewers were as likely to call “frightening” as “funny.” This week, we explore how these albums were heard: in groups, at teenage house parties, in poet John Ashbery’s pot smoke-filled living room, and on military bases in Vietnam.

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