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Stevie Redstone


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    Looking Glass
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    American Dream
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    Good Times Go so Fast
Stevie Redstone’s never been one to slow things down, but taking a break from the road proved to be just what the hard-touring L.A.
songwriter needed. The change of pace offered a chance to recharge and reflect, to experiment and explore, and it resulted in the creative windfall that led him to his spectacular debut, ‘Shot In The Dark.’
Recorded at Los Angeles’ Valentine Studios with producer Nic Jodoin (Black Rebel Motorcycle Club, Curtis Harding), the album is an infectious slice of vintage gold, a retro-tinged collection that feels both classic and modern at once as it draws on everything from Motown and Stax to Britpop and Laurel Canyon. Redstone’s songs burst with larger-than-life horns, cinematic strings, and wall-of-sound production, tipping their cap to George Martin and Phil Spector in their outsized ambition while still managing to remain profoundly dynamic and intimate.
Prior to going solo, Redstone recorded a pair of projects—an EP with his band, Redstone Hall, and an LP under the name Steven Roth—with producer Dave Cobb, who would go on to become a household name for his GRAMMY-winning studio work with Chris Stapleton and Jason Isbell. The album earned rave reviews and helped Redstone land some seriously high profile gigs, including dates with The Who at the Staples Center in L.A. and the Theater at Madison Square Garden in New York, where Elvis Costello also joined the bill.


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