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SoLBLoMMa

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What kind of magic indeed. SoLBLoMMa. With a growling thrum of backing tracking, think Depeche Mode booted out the back of a transit on a cold, dark winter’s night, think Lykke Li taken by the darkside, think Kylie with Winehouse’s problems, think Emilliana Torrini on 45, Bjork dating Goldie… oh, hang on… well, then we begin to see something remotely resembling Solblomma.
She deserves better than Portuguese soaps though. What she does is quite quite quite the most brilliant thing we’ve heard all year. ‘Papageno’ stopped us dead in our tracks. It sounds utterly bonkers first time, and come to that it still sounds bonkers the second time too. What it does is leave you scrabbling for more. And the more is just as good.
Not only does she sound like a star, she looks like one too…With eyes you could stand teacups on, she’s got something of the Cheryl Cole about her… only with a Katie Price makeover… at night… with doll’s clothes. Sounds original, check, looks original, check. You could file comfortably under the current 80s electro revival and no one would bat an eyelid.
Best of all though, the whole thing has the sort of rough diamond feel that gets people like us all worked up. It’s all there, but it could do with a bit of spit and polish. Not the finished article, which is a good thing, but you just know when she does (and from where we’re sat, it is when rather than if) get a polish, well, blimey. Neil Mason, Electronic Magazine UK

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