McCrorie's was not an overnight success, however. Born on March 23, 1985 in Stirling and brought up on a council estate in nearby Denny, he came to music early, distinguishing himself from his parents and three siblings, who had never shown any kind of musical ability. While still at school, he taught himself guitar and formed the band Scruffy Kid, which came second in the Scottish Schools Battle of the Bands competition. A string of stints in other bands followed, most notably Stevie and the Moon, with whom he released one album, These Old Traditions, in 2010. He was interviewed by Jo Whiley on BBC Radio 1 and played some songs, and performed at two of Scotland's highest-profile music festivals, Wickerman and T in the Park, before the group disbanded in 2013.
Following his marriage and the birth of his first child, McCrorie put dreams of stardom behind him, opting for financial stability by retraining as a firefighter. But when his colleagues at Kirkcaldy Fire Station discovered his talent, they entered him -- without his knowledge -- for The Voice. When he was accepted onto the show, the fire service gave him a year's sabbatical to pursue his dream and, as he progressed in the contest, he became increasingly convinced that he could win. McCrorie's debut solo single following his triumph was a cover of Maroon 5 frontman Adam Levine's "Lost Stars," which he had performed on the show. It reached number six on the U.K. singles chart, but the second single, his anthemic original song "My Heart Never Lies," failed to hit the main chart at all, reaching only a pitiable number 51, even in his native Scotland. His debut solo album, Big World, for which he wrote or co-wrote all the songs, was released by Decca in January 2016. It had an acoustic pop/rock sound, with McCrorie singing in his native accent, bolstered with lush string arrangements and vaguely reminiscent of other Scottish acts such as the Proclaimers, Travis, Idlewild, and Snow Patrol. With typical Scottish realism, McCrorie had declined to give up his day job, recognizing the vagaries of the music industry. In retrospect this was probably a wise move, as the album reached only a relatively disappointing number 35 in the U.K. chart, perhaps due to a notable lack of promotion, which was bemoaned by many fans. ~ John D. Buchanan, Rovi