In the '70s, Texier took time off to learn a number of additional instruments, including oud, flute, cello, and various types of percussion, and to develop his singing voice. Upon his return to full-time performance, Texier played in a number of ensembles, often with Louis Sclavis and drummer Aldo Romano. In 1986, Texier began a fruitful relationship with Label Bleu, which has released most of his work since then. In the early '90s, Texier's son Sebastian Texier joined on as reed player with his father's groups, often playing clarinet. North African motifs have played an important part in Texier's work since the mid-'90s and in 2001, Texier's trio began to tour Europe accompanying the practically silent 1970 Algerian film Remparts d'Argile.
Henri Texier has a strongly physical approach to the bass, although his tone is often described as "bell-like." American auditors may feel that Texier simply walks a crooked line between hard bop and free, but in France Texier has gained recognition for his work in developing a type of jazz that is uniquely French and not beholden to American models. In June 2001, Texier was made a Chevalier of the l'Ordre National de la Légion d'Honneur, the highest honor the French government accords to its artists. ~ Uncle Dave Lewis, Rovi