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Indochine

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  1. 1.
    L'aventurier
    3:510:30
  2. 2.
    J'ai demandé à la lune
    3:290:30
  3. 3.
    Trois nuits par semaine
    5:120:30
  4. 4.
    Nos célébrations - Edit
    4:000:30
  5. 5.
    La vie est belle
    5:270:30
40 years, for a rock band, that's unique. In France, of course, but also elsewhere. Of course, there's still the Rolling Stones, since Keith Richards is immortal, but it's no offence to them if we point out that while they deserve all the respect they can get for touring again, they've been performing their sixties and seventies repertoire for 40 years now.
INDOCHINE, for their part, have never stopped moving forward. Thirteen studio albums. Many live performances and other special projects. Concerts in Peru, Scandinavia, Vietnam, Canada, Europe and unstoppable cycles :
new album, tour built on it, with vintage hits. This is how they have perpetually renewed their audience, adding generations of audiences. At each of the concerts, the front rows are 15 years old and have just discovered the group with the new hits "La vie est belle" or "Un été français". The last rows were there at the time of "L'aventurier" or 20 years after "J'ai demandé à la lune".
The success of INDOCHINE is irrational and unclassifiable. It was built on an informal community, mixing all ages, certainly, but also all social classes. A community solidified by the constant rejection of the media; as if, after being inflamed for their youth and their aesthetics, which in the era of the "3e sexe" ("third sex"), they had not forgiven them to last, to recover from the dramas, and to abstract themselves from the obligations of celebrity.
Jean-Eric Perrin

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