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Frenchy and the Punk


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Across its 10 fiery, witty, and exhortative tracks, Frenchy and the Punk’s Hooray Beret challenges listeners to get off the hamster wheels of modern culture and social identity and cultivate a sturdier self and more authentic values.
The fourth full-length from bi-lingual French-born singer Samantha Stephenson and post-punk guitar visionary Scott Helland, Hooray Beret is organic and largely acoustic but relentless in its downhill grooves and cheeky garage noir riffage. In song after song, Stephenson nails the vanities, traps, and disfiguring pressures of 21st century life as she delivers a genuinely affirmative and urgent call to action: the action of self-reflection.
Hooray Beret’s message of independence and the shedding of socially imposed identities is well-earned. For more than a decade, Frenchy and the Punk have been refining their own voice in many quadrants of the Balkanized post-punk world. They have essentially invented their own genre in which punk vitality and drive meets an evocative, cinematic way with exotic melodies and European-inflected percussive textures. A founding member of Deep Wound with J Mascis and Lou Barlow, Helland weaves dark riffs and layers of spidery melody in an acoustic/electric tone that is entirely his own. Stephenson sings with a gothy heft and authority that may remind one generation of Siouxsie Sioux and another of Grace Slick.


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