Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar – was created or recorded directly to an iPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos on his that were eventually dropped on top of the finished tracks.
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.