The band was prolific during the '90s, issuing albums including Spit Bucket (1995), The Brothel to the Cemetery (1996), and Farmyard Filth (1997) before contributing music to Shockheaded Peter, a gleefully macabre musical theater adaptation of a 19th century German book of cautionary tales for children, in 1998. The production spawned a Tiger Lillies album of the same name that year and won two Olivier Awards in 2002. In 2003, the trio worked with the Kronos Quartet
and illustrator/writer Edward Gorey on another career highlight, The Gorey End. Inspired by a box of unpublished stories and drawings that Gorey sent the band, the album was released shortly after his death and was nominated for a Grammy Award for Best Classical Crossover Album. Over the years, the Tiger Lillies interpreted well-known works including Punch and Judy (2004), The Little Matchgirl (2006), The Rime of the Ancient Mariner and Hamlet (both 2012), and collaborated with artists ranging from the Symphony Orchestra of Norrlandsoperan (on 2007's Urine Palace) to photographer Nan Goldin (on 2011's The Ballad of Sexual Dependency).
Huge left the group in 2012, with touring drummer Mike Pickering
taking his place until 2015, when Jonas Golland joined the fold. As the 2010s continued, the group's range of influences expanded. Along with more expected fare like 2014's Lulu: A Murder Ballad, which took inspiration from 19th German playwright Frank Wedekind's daring series of plays about his ill-fated heroine Lulu, the trio also tackled subjects such as World War I (A Dream Turns Sour) and the work of Søren Kierkegaard (Either Or). Later in the decade, the trio explored more modern sources of inspiration. In 2016, they released the Cole Porter
homage Love for Sale and Goosebumps Alive, which celebrated R.L. Stine's cult favorite books in song. Early in 2017, A Cold Night in Soho took a gritty, poignant look back at Jacques' time in '80s Soho. ~ James Christopher Monger, Rovi