Bell Witch

Popular

  1. 1.
    Beneath The Mask
    5:540:30
  2. 2.
    Mirror Reaper
    1:23:150:30
  3. 3.
    The Bastard Wind - Aerial Ruin
    19:080:30
  4. 4.
    The Moment (Outro)
    3:060:30
  5. 5.
    Heaven Torn Low I (the passage) - Aerial Ruin
    12:540:30
Genuine collaborations between two sets of artists are rare. For their new album, Stygian Bough Volume I, Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/vocals) of doom duo Bell Witch didn’t just team up (again) with dark folk elegist Erik Moggridge (guitars/vocals) of Aerial Ruin, they fully integrated the two outfits.
While Moggridge has been a part of Bell Witch’s sonic fingerprint on all their prior records, he’s now part of the very fabric that makes up the five hauntingly beautiful, strikingly heavy songs that comprise Stygian Bough Volume I.
The addition of guitar to the bass and drum-only dynamic came naturally as the threesome discussed potential models for their joint effort. Ulver’s unorthodox folk album Kveldssanger came up as did Candlemass' milemarker Nightfall. But the real fuel to Stygian Bough Volume I was the Bell Witch track, “Rows (of Endless Waves)," which was not only Moggridge’s first appearance with Bell Witch but also a track that has deeply resonated with Desmond over the years. With the approach in place, Bell Witch and Aerial Ruin collectively wrote five desolate yet mystical songs that defy categorization. From the mournful "The Bastard Wind" and the crepuscular “Heaven Torn Low I (the passage)” to the monstrous “Heaven Torn Low II (the toll)” and the liturgical gloom of “The Unbodied Air,” Stygian Bough Volume I is an album of deep, dark undertows and careful respite.

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