The album created a buzz for the group among metalheads, which was only heightened with the release of the band's first full-length album, 1985's Soldiers Under Command. The first Stryper release to crack the Billboard charts, its success led to the re-release of The Yellow & Black Attack (which included an extra two tracks and new artwork) in 1986. Later the same year, Stryper issued their sophomore full-length, To Hell with the Devil, which many consider to be the group's finest hour. Turning out to be the highest-charting album of their career (barely missing the Top 30), the platinum-certified album benefited by MTV's repeated airings of the videos for "Calling on You" and the syrupy ballad "Honestly" (the latter peaked at number 23 on the U.S. singles charts). Despite possessing a different message than their peers, by this point Stryper fit in perfectly with the other popular pop/hair metal bands of the day (Bon Jovi
, White Lion
Yet just as it seemed that Stryper could possibly break through on a massive scale, such new metal styles as thrash (Metallica
) and more stripped-down rock (Guns N' Roses
) began to usurp Stryper's pop-metal audience. As a result, Stryper's next release, 1988's In God We Trust, failed to expand their following, nor did it live up to the promise of its predecessor (although it did manage to earn gold certification). Sensing this, the group adopted a harder-edged sound and look for 1990's Against the Law, and even covered the Earth, Wind & Fire
funk classic "Shining Star." Neither managed to cross over to the top of the charts. A greatest-hits set, Can't Stop the Rock, followed in 1991, but with Nirvana
just about to ring the death knell for pop-metal bands, Michael Sweet
decided to leave the group for a solo career. Surprisingly, the remaining members of Stryper opted to carry on as a three-piece (with Fox handling lead vocal duties), and continued to tour for a spell. The Michael Sweet
-less version didn't last long however, as Stryper officially called it quits in 1992.
In the wake of the band's split, its members remained busy. Michael Sweet
's solo career never scaled the same heights as Stryper's, although his releases appeared on a somewhat regular basis, with 1994's Michael Sweet, 1995's Real, and 2001's Truth. Robert Sweet issued a solo recording, Love Trash, in addition to studio work, while Fox and Gaines formed a new group, Sin Dizzy, who issued a rock opera (concerning the crucifixion of Jesus Christ) titled He's Not Dead.
During the intervening years, a large core of devoted fans remained intact, resulting in all of Stryper's albums being reissued by Hollywood Records
. In 1999, Sin Dizzy played a show with Michael Sweet
that ended in an off-the-cuff jam session of old Stryper tunes -- resulting in reunion rumors. And with a heightened nostalgic interest regarding '80s-era metal bands during the early 21st century, Stryper agreed to sporadically reunite for a "Stryper Expo," which has since turned into an annual event. Stryper's second greatest-hits collection, 7: The Best of Stryper, was issued in 2003, and included a pair of new tunes recorded especially for the collection, "Something" and "For You." Fueled by a renewed interest in the Christian rock scene, the band returned to the studio for 2005's Reborn and again in 2009 for Murder by Pride, the latter released in celebration of the band's 25th anniversary. In 2011, Stryper released The Covering, featuring covers of songs by bands that inspired them, including a take on Black Sabbath
's 1980 hit "Heaven and Hell." 2013's Second Coming saw the band offering up a set of re-recorded versions of earlier material, along with two brand new songs, as well as the release of a new studio album, No More Hell to Pay, their first outing for Frontiers Records. In 2015, Stryper issued their eighth studio long-player, Fallen, again via Frontiers. In February 2018, the band issued the single "Take It to the Cross," which featured a guest spot from Shadows Fall
's Matt Bachand. Two months later, full-length God Damn Evil was released, marking the debut of Perry Richardson, who replaced longtime bassist Timothy Gaines the year prior. ~ Greg Prato, Rovi