Born in St. Albans, Hertfordshire, England, Christopher Stephen Clark began making music in his teens and also experimented with constructing his own musical equipment. After studying at St. Albans School, he went to Bristol University; while still a student, he caught the attention of Warp Records by performing at a label party in December 2000 as Chris from St. Albans. The following April, he made his debut on the label as Chris Clark with Clarence Park, an album whose cold, terse synths and big beats earned critical acclaim. After a stint in Brighton, Clark settled for a time in Brighton. It was there that he collaborated with Broadcast, with whom he recorded a different version of the track "Herr Barr" and improvisations that were ultimately released in 2006.
The Ceramics Is the Bomb EP followed in May 2003, but it was on that September's Empty the Bones of You that Clark's music reached a new level of maturity, thanks to its disorienting textures and lulling synths. His first release as Clark was February 2006's Throttle Furniture EP, which offered a taste of that October's full-length Body Riddle. Incorporating tweaked live instrumentation along with electronics, the album was another critical success. For March 2008's self-described "techno album" Turning Dragon, Clark returned to the completely electronic approach of his earlier work. That year, Clark also provided the music for Held, Australian dancer/choreographer Melanie Lane's exploration of the relationship between memory and physical spaces.
Over the next decade, the scope of Clark's work continued to grow. In 2010, he scored Lane's piece Tilted Fawn. The following year, Clark worked with the Brighton collective Blast Theory on the installation Fixing Point, an interactive work that addressed the Conflict in Northern Ireland. In April 2012, Clark released his fifth album, the folk-tinged Iradelphic. Recorded in a number of locations and featuring contributions from his labelmate Bibio, the album's sessions were so fruitful that Clark released a downloadable online series called The Iradelphic Sessions as well as an EP, Fantasm Planes, that arrived later that year. The remixes collection Feast/Beast, which included reworkings by Massive Attack, Bibio, Depeche Mode, and HEALTH, appeared in 2013. That year, Clark also reunited with Lane for Shrine, a multimedia project inspired by ritual and ceremony. On 2014's self-titled album and its single "Superscope," Clark took a harder-edged, more danceable approach that continued on 2015's Flame Rave EP. Also in 2015, Clark composed the music for The Last Panthers, a six-part crime thriller miniseries produced by Warp Films; Warp Records released the BAFTA-nominated score in March of 2016. For 2017's Death Peak, Clark incorporated vocals into vibrant-yet-ominous tracks with a maximalist approach. Following a few short-form releases that included 2017's Com Truise collaboration Bobbie Caris/Idle Withdrawal and the following year's E.C.S.T. T.R.A.X., Clark returned with 2019's Kiri Variations, a collection of unused pieces he wrote for the BAFTA-winning television series Kiri, which told the story of a missing girl and the impact her disappearance had on her family and community. Featuring processed acoustic instruments as well as Clark's own voice, the album appeared on his Throttle Records label in July 2019. ~ Heather Phares & Charles Spano, Rovi