We've Been Had
Another One Goes By
From the wreckage of mid-'90s indie rock hype victims Jonathan Fire*Eater, the Walkmen rose at the turn of the century as major players in the New York City circle of post-punk/new wave-inspired bands (also including Interpol, the Strokes, Yeah Yeah Yeahs, and others).
Setting the Walkmen apart from the outset was a heavy reliance on piano and organ, and a preference for atmospherics over garagey antics, courtesy of their self-built Marcata Studios. The band already had two acclaimed albums and a number of EPs under their belt when 2004's Bows + Arrows broke big and made them music-magazine cover boys. Subsequent work cemented their appeal and commercial success, cresting with Top 40 appearances for 2010's Lisbon and 2012's Heaven. The Walkmen then went on hiatus, with three of the four beginning solo careers, including their prolific frontman Hamilton Leithauser.
The Walkmen feature three members from Jonathan Fire*Eater and two from the Recoys. When Jonathan Fire*Eater disbanded in 1998, the group took the remainder of their Dreamworks funding and established an uptown rehearsal space in New York City that doubled as a 24-track recording studio where they use a wide variety of vintage equipment. The 900-square-foot Harlem industrial space, dubbed Marcata Studios, was completed in the fall of 1999. (Bands that have recorded at their studio include labelmates the French Kicks and experimental rockers Arto Lindsay and Nação Zumbi.) The Walkmen, some of whom had gigged in the city under the moniker Today Okay, formed in 2000 and consist of Fire Eaters Walter Martin (vocals, organ, etc.), Paul Maroon (guitars), and Matt Barrick (drums) and ex-RecoysHamilton Leithauser (vocals) and Peter Bauer (bass). Like Jonathan Fire*Eater, the members of the Walkmen grew up together in the Washington, D.C., area and have played in the same bands since the fifth grade. Perhaps the only way the group could be any closer is if they were all related. (Martin and Leithauser are cousins, so the semi-merging of bands is also somewhat of a family reunion.)
The Walkmen released a self-titled, four-song EP in 1999 through the small Brooklyn label Startime International (Brendan Benson) and completed a vinyl-only release to be made available at concerts. The first Walkmen concert was at Joe's Pub in the East Village in September of 2000, shortly after their EP was released. In 2002, the Walkmen made their proper full-length debut with Everyone Who Pretended to Like Me Is Gone. It was a favorite among indie crowds and the album led the Walkmen to tour the world in support of it. Bows + Arrows, the band's first for Warner Bros.' Record Collection label, appeared two years later. Along with touring and appearing in a cameo on the Fox TV series The O.C., the Walkmen began writing a novel, John's Journey, together. The band returned to the studio in 2005, working with Don Zientera at Arlington, VA's Inner Ear Studio on their third album, A Hundred Miles Off, and at their own Marcata Studio on a song-by-song cover of Harry Nilsson's Pussy Cats, which was the last album recorded in Marcata before the band closed it. A Hundred Miles Off was released in spring 2006, and Pussy Cats arrived that fall. The Walkmen recorded their fourth album in New York's Gigantic Studio and the same Oxford, MS, studio in which they recorded Bows + Arrows, releasing You & Me in 2008 on Gigantic Music. Lisbon, the group's sixth studio album, arrived in 2010 on the Fat Possum/Bella Union label. The following year, the Walkmen celebrated their 10th anniversary as a band while recording with Phil Ek; the results, Heaven, arrived in 2012.~ JT Griffith