Before heading out on his own as a singer/songwriter, Kevin Morby was best known for his work with two different Brooklyn bands, the Babies and Woods.
Based in Los Angeles, Morby originally moved from his native Kansas City to Brooklyn in the mid-2000s, eventually joining the noise folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called the Babies, who released albums in 2011 and 2012. Following his move to L.A., Morby recorded a collection of songs with Babies producer Rob Barbato that was intended to be an homage to New York City. The new songs represented a stylistic shift into a more roots-oriented indie sound and also featured Babies drummer Justin Sullivan along with several other guest artists. Released in 2013 by Woodsist Records, the eight-song collection was called Harlem River and became Morby's debut as a solo artist.
In August of that year, Morby relocated from his Brooklyn dwellings to Los Angeles, quickly beginning work on what would become his second solo album, Still Life. The album was released yet again on the Woodsist label in late 2014. His next record was informed by two developments: he moved to a house with a piano; and he played in the Complete Last Waltz, a group formed to pay tribute to the music of the Band. The first changed the way he wrote songs; the second meant he hooked up with fellow bandmate Sam Cohen of Yellowbirds and the two began collaborating. The recording of Morby's first album for his new label, Dead Oceans, took place in Woodstock, New York and featured appearances from keyboardist Marco Benevento and Quilt's John Andrews on musical saw. Singing Saw was released in April of 2016. The following year, a companion-piece album, City Music, was released. Recorded at the analog-centric Panoramic House studio in rural West Marin, California and prominently featuring its 19th century pump organ, the album saw Morby channeling Lou Reed and Patti Smith in a collection of introspective vignettes. ~ Timothy Monger, Rovi