By this time, Demus
was also working with producer Bobby Digital, with whom he cut a clutch of singles. His old sound system compatriot Shabba Ranks
was also recording with the producer and Digital
gathered up both DJs' singles for 1989's Best Baby Father. The new decade brought a successful appearance at Reggae Sunsplash, but although he now had a slew of minor chart successes to his credit, Demus
still seemed unable to break into the top league of Jamaican toasters.
In 1991, the DJ headed for Miami for a series of shows with Pliers, a singer who was very much in the same boat. The two had crossed paths previously at Penthouse, and now sharing a stage, they discovered a chemistry was definitely at work. Returning to Jamaica, the pair went into the studio with producer Ossie Hibbert and cut the happy-go-lucky "Gal Wine"; its easy beat and breezy interplay between the sweet singing Pliers and the jaunty, chuckling Demus
became an instant island smash. The duo now began recording with virtually every name producer in town, from Jah Screw ("Bad Mind") to Mafia & Fluxy ("Winning Machine"), as well as with Digital
and for Jammy's, across a string of classic singles. Stardom had arrived, and by 1992, the pair had more than enough hits to stuff into the Gal Wine Wine Wine album, while their appearance at Reggae Sunsplash brought them further adulation. Demus
' own warp-speed take on the soca favorite "Workie Workie" was included on MCA
's Reggae Sunsplash Live album in 1993. That same year, the duo entered the studio with Sly & Robbie
, who were currently delving into the possibilities of the new bhangra style; the first fruits of this musical union was "Tease Me," a Jamaican smash. It also brought Chaka Demus & Pliers
their first international hit, when the song tantalized its way into the British Top Five. The R&B meets bhangra "She Don't Let Nobody" followed it up the U.K. chart, and as 1994 dawned, their exuberant cover of the Isley's Brothers
"Twist & Shout" slammed to the top of the charts on both sides of the Atlantic.
In Jamaica, the duo followed up with the hits "The Boom" and "Mr. Mention," but in a Britain always hungry for new blood, they were unable to repeat their initial phenomenal success. Although all three of the singles the pair released in 1994 charted, "I Wanna Be Your Man" and a re-recorded "Gal Wine" barely scraped into the Top 20. Amazingly, the first of this trio, "Murder She Wrote," didn't even get that high, expiring at a lowly number 27. It was a different story in the U.S., where the duo had signed to the Island
label. The spectacular "Murder," all bhangra rhythm and featuring the Taxi Gang
and Jack Radics
, brought Chaka Demus & Pliers
firmly into the American mainstream. Interestingly, the song (although not this version) dated back almost a decade, having been recorded by Pliers in the mid-'80s, and that recording itself was a version of the Maytals
' '60s hit "Bam Bam." All of these hits and more were gathered up for the groundbreaking hit All She Wrote album.
It would be two years before the duo returned with a follow-up, 1996's For Every Kinda People, which inevitably suffered in comparison with its predecessor. However, the title track did garner the pair another hit single, while a cover of the Police
's "Every Little Thing She Does Is Magic" repeated its success in 1997. That year also brought a new solo Demus
single, "Come Ya Mi Darlin' Come," while 1998 saw Chaka Demus & Pliers
back on stage at Reggae Sunsplash. The pair faded from view and years went by without a word, until finally in 2001, the duo reappeared with a strong new set, Help Them Lord, on the RAS
label. They continued to release new albums, including Trouble and War (2003), Back Against the Wall (2005), and So Proud (2008), and they toured and performed at festivals around the globe. ~ Jo-Ann Greene, Rovi