The Austin, Texas-based quartet formed in early 2018, and it’s a band of brothers whose day gigs are first-call hired gun musicians. “We want the music to sound like the stuff we listen to between gigs—like the music we all first fell in love with and made us want to play in the first place,” Micah shares.
Motenko features Micah’s honeyed vocals imbued with a sweetly sincere quality of longing.
Micah is joined onstage, and in the studio, by guitarist Cat Clemons III whose play-for-the-song restraint and stanky grooves provide just the right amount of flair. Rounding out the soul machine is the in-the-pocket telepathic interplay of bassist Josh Flowers and drummer James Gwyn.
The quartet mines the interlocking ensemble mindset blueprinted by the great rhythm bands of the late 1960s and early 1970s such as The Meters, Booker T. and The MGs, and the great Motown pit musicians. The band’s vibrant musicality is also informed by modern masters of soul such as producer J. Dilla, and the Soulquarians, the brilliant neo-soul collective the featured and worked with artists such as D’ Angelo, The Roots, Slum Village, and Erykah Badu.