Sellers matches his bursts of experimentation with the graceful piano playing he’s honed since he was a little kid. Halfway through high school, he started writing his own material, and self-recording with the help of his family’s tape machine. By his early 20s he’d discovered minimalist composers like Steve Reich and Terry Reilly, which led him to infuse an atmospheric, ethereal quality into much of his work. With the release of Primitives in spring 2016, Sellers adopted the moniker of Bayonne as a way to distinguish his more electronically crafted output from his other musical projects.
In bringing Drastic Measures to life, Sellers merged his increasingly classic-pop-inspired sensibilities with a production approach closely focused on looping, layering, and overdubbing. “Even if you hear something simple like clapping or finger snaps, it’s probably layered 10 or 20 times,” he says. “I just like to stack and layer everything to get these big sounds, and create a really wide sonic space within the songs.