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Mandolin Orange

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Mandolin Orange’s music radiates a mysterious warmth —their songs feel like whispered secrets, one hand cupped to your ear.
The North Carolina duo have built a steady and growing fanbase with this kind of intimacy, and on 'Tides of A Teardrop,' due out February 1, it is more potent than ever. By all accounts, it is the duo’s fullest, richest, and most personal effort. You can hear the air between them—the taut space of shared understanding, as palpable as a magnetic field, that makes their music sound like two halves of an endlessly completing thought. Singer-songwriter Andrew Marlin and multi-instrumentalist Emily Frantz have honed this lamp glow intimacy for years.
On the self-produced 'Tides Of A Teardrop,' their slow-burning acoustic meditations on love and loss are belied by a newfound directness as Marlin tackles the death of his mother, who died when he was 18. “I think her passing was almost the genesis of my writing,” says Marlin. “That was when I really began to find refuge in writing songs.”
Marlin’s songwriting voice emerges clearer than ever, set in sharp relief by the indelible performances of Mandolin Orange’s longtime touring band. Whether it’s the trilling, weighty atmosphere of the allegorical “Wolves” or the Appalachian yearning of the hymn-like “Suspended In Heaven” (written on Mother’s Day), Marlin and Frantz’s vocal and instrumental interplay is as dialed in as ever, the instinctual expression of deeply known but unspoken truths.

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