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Dylan LeBlanc

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  1. 1.
    Easy Way Out
    4:370:30
  2. 2.
    If The Creek Don’t Rise
    3:240:30
  3. 3.
    Cautionary Tale
    3:400:30
  4. 4.
    Mother, Mother - Rayland Baxter,
    3:350:30
  5. 5.
    Never Tear Us Apart
    3:500:30
In between the moments of clarity and a few familiar falls, he also wrote a new album, Cautionary Tale: a collection of shimmering, arresting songs with the same haunting vocals that caught the attention of Lucinda Williams and Bruce Springsteen, now with a sharpened edge honed by hastened maturity.
“THIS RECORD IS ABOUT ME GETTING HONEST WITH MYSELF,” SAYS DYLAN. “I HAD TO LET THE GUILT ABOUT THE PAST GO AND FIND A NEW TRUTH WITHIN MYSELF. THIS TIME, I FELT LIKE I REALLY HAD SOMETHING TO SAY.”
To help him say it, he sought out long-time friend Ben Tanner, the same guy who had secretly helped Dylan record his first songs after hours while working at fabled FAME Studios. (He also introduced a 16-year-old Dylan to Wilco, George Harrison, and Ryan Adams by way of an external hard drive). In between touring with Alabama Shakes, Ben was beginning to engineer records again at the label he started with another friend of Dylan’s, Grammy Award-winning musician John Paul White, formerly of the Civil Wars. The two both produced and played on Cautionary Tale.
“They prevented me from burying my words,” says Dylan. “Doubt can often be my first instinct, and I’ll try to cover things up with more elements to hide my voice, but I made up my mind to trust them. I heard Merle Haggard say once that the singer is secondary to the song, and they both helped me build a strong foundation for the emotions I was feeling.”

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