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JOYFULTALK

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  1. 1.
    Kill Scene
    3:540:30
  2. 2.
    Part II - Pixelated skin
    8:490:30
  3. 3.
    Buschbabies
    6:310:30
  4. 4.
    Cargo Face
    0:510:30
  5. 5.
    Part I - I've got that trans-dimensional feeling again
    7:420:30
Free-thinking Nova Scotia composer, musician and visual artist Jay Crocker (aka JOYFULTALK) channels Minimalism, Japanese environmental music, Maghrebian rhythmic modes and other numinous folkways to create his most focused, vibrant work to date.
Based on a monumental, kaleidoscopic graphic score, A Separation Of Being (Constellation Records, March 2020) is translated from two-dimensional page to trans-dimensional aural life using an array of homemade instruments, crowned with a majestic string arrangement written by Crocker and performed by Jesse Zubot (Tanya Tagaq, Destroyer).
This three-part suite is airtight; interlocking arcs of polyrhythmic deep groove and new minimalism roll out in spellbinding propulsion, the music gathering its warmth from the strings and its peculiarities from Crocker’s bespoke instrumentation and analog clockworks.
Crocker began developing ‘The Planetary Music System’, his particular methodology for visualized composition, in 2012. The score for A Separation Of Being is the pinnacle of his system to date. Impressive in scale and scope, this stunning 5’x10’ mural features geometric multi-directional cycles of brightly-coloured, finely-detailed sound notation.
Both the intricate graphic score and the superterrestrial music distinguish and elevate Crocker as a composer/producer/performer who’s been integrating sonic, artistic and sculptural practices into unique installation, environmental and recorded works for the past 15 years.

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