Amongst it all, Gatrill somehow found time to develop her own live show; augmenting her harp and vocal with ambient analogue synths and drum machines using foot controllers.
Five years and hundreds of live shows later, her live ambitions fed back into the writing and recording process of her second album, Cocoon
. The album showcases a huge leap forward in scope and imagination. The harp, tender vocal and unique take on classic songwriting are still at the core, but the arrangements draw from a much wider and often darker sonic palette – introducing vintage monosynths, drum machines and vibraphone.