Blues Run the Game
Plains of Waterloo / James Connolly
Never Any Good
Believe Me If All These Endearing Young Charms / Waters of Tyne
Rosie Anderson / The Shearing's Not For You / Bogie's Bonny Belle
Martin Simpson is one of the most visible examples of the relationship between the Celtic folk of the United Kingdom and American musics such as country and the blues, which branched away from their British sources as American immigrants became distant from their past countrymen.
Simpson's life charts a similar journey -- one of the most technically gifted guitarists alive in the 2000s, he was born in South Humberside, England, but moved to the United States in the late '80s (after recording several solo albums and appearing with many major British folk-rock figures) to absorb Stateside forms of guitar playing, meanwhile recording both as himself and with his American wife, Jessica Radcliffe Simpson.
Born in the Humberside town of Scunthorpe in northern England, Simpson began playing guitar at the age of 12, and just two years later was playing local pubs. Well-known on the regional circuit by the early '70s, he recorded his debut album, Golden Vanity, in 1976, for Bill Leader's Trailer Records. Instead of aligning itself with the new contemporary folk songs or their traditional precursors, Golden Vanity borrowed elements of both, with Dylan covers alongside ancient ballads. He toured with Steeleye Span and the Albion Band during the late '70s, and began a long relationship with June Tabor, working on her solo albums and earning a co-billing for 1981's A Cut Above. His next three albums, released from 1981 to 1986, were quite good, and though they generated little fanfare, Shanachie Records signed him just after his move to the U.S. in 1987. That same year, he released a duet album with his wife Jessica entitled True Dare or Promise. His first Shanachie release, 1989's Leaves of Life, signaled another period of artistic excellence, exemplified by its follow-ups When I Was on Horseback, A Closer Walk with Thee, and Red Roses, again recorded with Jessica. During the mid-'90s, the Simpsons played with a group called the Band of Angels and recorded for such labels as Rhiannon, Red House, and Water Lily Acoustic. A new collection of British traditional folk songs called Bramble Briar arrived in 2001, followed by Righteousness and Humidity, a bluesy set inspired by the Deep South featuring Steeleye Span's Rick Kemp. 2005 saw a return to English folk with Kind Letters, followed by the award-winning Prodigal Son (2007), the genre-hopping True Stories (2009), and the star-studded Purpose & Grace (2011). After the embellishments of Purpose & Grace, Simpson stripped everything back to just banjo, guitar, and vocals on 2013's Vagrant Stanzas. Ever restless, he embarked on a collaborative record for his next project. Murmurs (2015) featured Nancy Kerr on fiddle and Andy Cutting on squeezebox alongside Simpson, and the trio included their own take on traditional songs like "The Plains of Waterloo." Simpson returned to solo work for his next record, 2017's Trials & Tribulations. The album was produced by Andy Bell (Kate Rusby, Teenage Fanclub, Bellowhead), and also includes his daughter Molly Simpson's debut vocal performance. In 2018, Simpson began work on a further solo effort, Rooted. Giving nods to his collaborative past, Rooted saw Nancy Kerr and Andy Cutting return as featured artists, alongside a variety of other musicians. The album was released on Topic Records in August of 2019. ~ John Bush, Rovi