Made more confident by the writing and recording process of her full length album, “Retreat” was written. Niedzialkowski began to make it a point to play the song at every show, even though it did not yet have a full band arrangement. She spoke about consent on stage, and the feelings that had led up to this song, and immediately women were approaching her with their own stories.
“Retreat”, written to have a chorus so catchy that people would be singing along about enthusiastic consent before they could think twice about it, would have to be a separate release. And maybe it was always meant to stand on its own. It was becoming clear that this song was too important to save for a third album.
In 3 minutes, Niedzialkowski carves out a pop monument with sharpened hooks and tightly wound guitar, recalling the anthemic joy of ‘90s Sheryl Crow as much as the sweet introspection of Mirah. It is not the song of someone who is giving up on the world, it is a hymn of power and control built on guitars and keys, for people who have had enough of being quiet, who are ready to build a new world.