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Rose Hotel

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  1. 1.
    Honestly
    5:110:30
  2. 2.
    Conversations No. 1
    2:380:30
  3. 3.
    Conversations No. 4
    2:390:30
  4. 4.
    Wistfully
    4:160:30
  5. 5.
    Conversations No. 2
    2:590:30
Rose Hotel’s 2017 solo debut, “Always A Good Reason,” was passed around like a secret in music scenes and college towns from Athens, Ga.
to Bowling Green, Ky. The stripped-down intimacy of the EP was equal parts introspective and wistful, recalling a distant era when voices like Joni Mitchell and Emmylou Harris cut through the hiss of A.M. static.
Rose Hotel's forthcoming debut LP, "I Will Only Come If It’s A Yes," offers a polished, full-band sound, which is a striking departure from the lo-fi, bedroom origins of Reynolds’ first recordings under the moniker.
The album was recorded and produced over the course of 3 months by Graham Tavel at his West Atlanta home studio, where Reynolds spent spare time between jobs tracking, recording, and mixing with Tavel.
Sonically, the record is a scattershot batch of material, from “10K,” the record’s shoegaze tinged opener, to the 1960s girl group-inspired “Would You Believe Me,” to rollicking highway rocker “Running Behind.” Rose Hotel displays an accomplished sonic progression on “I Will Only Come If It’s A Yes”.
Reynolds’ vagabond spirit heavily influences her storytelling, which dissects crumbling relationships and the disorienting feelings of striking out on your own.
- Sam Osborne, Fringe Magazine

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