Väth became a DJ of note for his marathon sets, which sometimes approached 24 hours, and his 1992 co-founding of Harthouse Records
. His own releases on the label included those by Barbarella
, Astral Pilot
, and Metal Masters with the help of his partner, Ralf Hildenbeutel
. Blessed with an agreement connecting Harthouse
and its subsidiaries to the American major label Warner Bros.
, Väth released Accident in Paradise, again with contributions from Hildenbeutel
, as his first solo album in 1992. A solid debut, it illustrated Väth's concern with connecting techno and trance to the concept-album ideas of prog rock. It died a quick death on American shores, but Mixmag listed it years later in a feature on the best dance albums of all time.
Väth's second album, The Harlequin, the Robot and the Ballet Dancer, was released in Europe in 1994, but its American release was delayed more than a year and sank much quicker than its predecessor. After recording an album with Stevie B-Zet
as Astral Pilot
, Väth laid low for several years, severing his connections with Harthouse
and preferring to concentrate on DJ'ing instead. He returned with a contract to Virgin
, which resulted in three proper production albums: 1998's Fusion, 2000's Contact, and 2002's Fire.
During this period, he started a series of annual mixes with The Sound of the First Season. It was released on Cocoon
, a label he named after parties he had started holding the prior decade. Prominent and long-running, Cocoon
went on to release a wide variety of 12" material by the likes of Legowelt
and Roman Flügel
, as well as additional DJ mixes from Steve Bug
and Ricardo Villalobos
, among others. Väth's own production output was scant, though his hands remained full with his label and a busy schedule he maintained as a revered veteran DJ. The compilation Sound of the 18th Season arrived in late 2017. ~ John Bush & Andy Kellman, Rovi