While his tenure as the frontman for the legendary Roxy Music remained his towering achievement, singer Bryan Ferry also carved out a successful solo career that continued in the lush, sophisticated manner perfected on the group's final records.
Born September 26, 1945 in Washington, England, Ferry, the son of a coal miner, began his musical career as a singer with the rock outfit the Banshees while studying art at the University of Newcastle Upon Tyne under pop conceptualist Richard Hamilton. He later joined the Gas Board, a soul group featuring bassist Graham Simpson; in 1970, Ferry and Simpson formed Roxy Music.
Within a few years, Roxy Music had become phenomenally successful, affording Ferry the opportunity to cut his first solo LP in 1973. Far removed from the group's arty glam rock, These Foolish Things established the path that all of Ferry's solo work -- as well as the final Roxy Music records -- would take, focusing on elegant synth pop interpretations of '60s hits like Bob Dylan's "A Hard Rain's A-Gonna Fall," the Rolling Stones' "Sympathy for the Devil," and the Beatles' "You Won't See Me," all rendered in the singer's distinct, coolly dramatic manner.
Roxy Music remained Ferry's primary focus, but in 1974 he returned with a second solo effort, Another Time, Another Place, another collection of covers ranging from "You Are My Sunshine" to "It Ain't Me, Babe" to "Smoke Gets in Your Eyes." His third venture, 1976's Let's Stick Together, featured remixed, remade, and remodeled versions of Roxy Music hits as well as the usual assortment of covers. Released in 1977, In Your Mind was Ferry's first collection of completely original material; the following year's The Bride Stripped Bare, a work inspired by his broken romance with model Jerry Hall, was split evenly between new songs and covers.
Ferry did not record another solo album until 1985's Boys and Girls, a sleek, seamless effort that was his first "official" solo release following the Roxy breakup. For 1987's Bete Noire, he was joined by former Smiths guitarist Johnny Marr on the shimmering "The Right Stuff," and notched his only U.S. Top 40 hit with "Kiss and Tell." Another covers collection, Taxi, followed in 1993; Mamouna, an LP of originals, appeared a year later, and in 1999 Ferry returned with a collection of standards, As Time Goes By. After a brief tour in support of As Time Goes By, there were rumors of a Roxy Music reunion. The next summer, the practically unimaginable came true when Ferry joined Andy Mackay and Phil Manzanera for a tour of Europe and the U.S. It was a celebration of hits, and the band's first jaunt out in more than a decade.
In summer 2002, Ferry returned to his solo career for the electrifying Frantic. Dylanesque, a set of Bob Dylan covers, followed in 2007, featuring assistance from several longtime associates (including Brian Eno, Chris Spedding, Paul Carrack, and Robin Trower). Ferry signed with the Astralwerks imprint for the release of 2010's Olympia. In 2012, he assembled the Bryan Ferry Orchestra and recorded The Jazz Age. This completely instrumental album featured his band re-recording some of his biggest hits in a 1920s jazz style.
Ferry returned to the studio with longtime collaborator Rhett Davies in 2014 to record his 14th studio album. The resulting Avonmore -- which included guest spots from Johnny Marr, Nile Rodgers, and Marcus Miller and revived Ferry's mid-'80s sound -- appeared in November. In the spring of 2017, after embarking on a major world tour, Ferry made his debut at the legendary Hollywood Bowl amphitheater, performing nearly the entire set backed by a full orchestra. That same year, he also appeared as a cabaret singer in the 1930s set drama Babylon Berlin, for which he also contributed several songs. Those tracks were then included on a full-length album recorded by Ferry and his jazz orchestra, 2018's Bitter-Sweet. ~ Jason Ankeny, Rovi