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Bedtime for Robots


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  3. 3.
    Lost Film
  4. 4.
    Traumatic Extraction
  5. 5.
    All My Idols Are Dead
Morphing from the remnants of the Warner/Reprise space rock trio: Love In Reverse, Michael Ferentino, the band's prolific singer/songwriter, abandoned both singing and traditional song-writing structures to explore the outer limits of electronic music.
Bedtime For Robots arrived on the underground electronic music scene in 2006 with its tenebrous & ambient space-rock-meets-post-prog-horror sound, which soon caught the attention of Internet radio outfit, DOOMED (of the Soma FM electronic music radio collective), as well as Fangoria's online magazine and a host of underground internet radio stations across the globe. Ferentino's sonic explorations, influenced by the classic horror films he grew up on, as well as late '60s/early '70s space music artists Pink Floyd, Tangerine Dream and Klaus Schulze, began to proliferate exponentially. While the scope of Bedtime For Robots' music expanded over the next decade, Ferentino, assiduously explored, investigated, experimented and altered. Bedtime For Robots is currently back in the studio creating and looking forward to sharing its brave new vision of psychedelic-ambient space-rock-meets-industrial post-prog sonic-horror. A series of short films will support and intertwine with this strange and exciting impending foray into the nadirs of human (and inhuman) experience and excursion, as Bedtime For Robots sets its sights on the impending future ...and fires itself, headlong, into said.


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