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Yes We Mystic


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    Working for the Future in the Interlake
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    Win Ben Stein's Money - Alternate Version
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    No Harm
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At a time when content is a constant gushing river, only the truest and purest art will find a way to float to the surface.
The kind of art that is undeniably emotional, ingenious in its execution and endlessly energetic in its existence. The kind of art that is loud in its motivation and subtle in its truths. The kind of art Yes We Mystic creates.
With their new record, Ten Seated Figures, Yes We Mystic has succeeded in exceeding their previous excess, creating something bigger than anything they’ve done before. Voices and instruments blend together, creating a swath of sound so dense and so complex that its origin can’t be placed.
In opposition to 2016’s Forgiver, on which the band tried to fit in as many inorganic sounds as possible but make them feel as though they lived in an organically created musical world, Ten Seated Figures instead embraces the unfamiliar. The sonic landscape is brimming with sounds that are unidentifiable, but still created with the same instruments Yes We Mystic has always used.
Ten Seated Figures marks lead singer Adam Fuhr’s debut as a producer. In the studio, he learned how to produce and engineer as the band was writing the record; many moments on the album were captured as they were conceived. They then flew to Montreal to have the record mixed by beloved producer/engineer Marcus Paquin, who has worked with indie-music royalty such as Arcade Fire, The National, and Hey Rosetta! .
Ten Seated Figures arrives April 19.


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