Jones followed their advice and tried to publish some of his songs (including "(Ghost) Riders in the Sky," which owed its melody to "When Johnny Comes Marching Home"), only to have them turned down by the music companies that he approached -- one even said that "Riders" was too dirgeful and funereal. He recorded that song and a few others on his own, and composer Eden Ahbez (best known for the hit "Nature Boy") heard "(Ghost) Riders in the Sky" and brought it to Burl Ives, who cut it for Columbia Records. It was later picked up by Bing Crosby, Gene Autry, and Vaughn Monroe, as well as dozens of others, and Jones had a new career and major Hollywood representation. By 1950, Jones was writing songs for major motion pictures, including Ford's Rio Grande, starring John Wayne and Maureen O'Hara -- Ford learned of Jones' songs when actors Harry Carey Jr. and Ben Johnson brought him and his music to the director in person, during shooting -- where they were sung by the Sons of the Pioneers, and he was being looked at by Walt Disney Studios, where he signed on as a composer and recording artist. He wrote and recorded individual songs and began releasing albums in 1961 with Ghost Riders in the Sky, followed by Creakin' Leather a year later and the concept album This Was the West.
Jones' other credits include the beautiful theme music to the Warner Bros. television series Cheyenne, written in collaboration with Hollywood veteran William Lava -- indeed, some viewers say the title theme was the best part of the program -- and the title theme from the landmark John Ford Western The Searchers. "(Ghost) Riders in the Sky" remains one of the most popular and often-covered post-World War II country & western songs, constantly re-recorded and old recordings constantly revived. ~ Bruce Eder, Rovi