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Nashville Symphony Orchestra

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  1. 1.
    The Palmian Chord Ryddle: II. Iberia - Terry Riley, Tracy Silverman, Giancarlo Guerrero
    6:340:30
  2. 2.
    Las 4 estaciones portenas (arr. L. Desyatnikov): Invierno Porteno (Winter) - Astor Piazzolla, Leonid Desyatnikov, Tianwa Yang, Giancarlo Guerrero
    8:030:30
  3. 3.
    To Be Certain of the Dawn: Part II: Remembrance: Interlude: Veil of Tears - Stephen Paulus, Giancarlo Guerrero
    4:220:30
  4. 4.
    Piano Concerto in C-Sharp Minor, Op. 45: II. Scherzo: Vivaco (Perpetuum mobile) - Amy Beach, Alan Feinberg, Kenneth Schermerhorn
    5:530:30
  5. 5.
    Piano Concerto in C-Sharp Minor, Op. 45: III. Largo - Amy Beach, Alan Feinberg, Kenneth Schermerhorn
    5:210:30
The Nashville Symphony Orchestra evolved from an important American regional orchestra in the 1980s to a nationally recognized one at the turn of the century, performing at Carnegie Hall in 2000.
In the city more frequently known for popular country music, the first established regular orchestra, the Symphony Society, was founded in 1920 from with a core of professional musicians and amateur music-lovers. It was headed by George Pullen Jackson, a professor at the city's Vanderbilt University and music critic of the Nashville Banner newspaper, but the Society did not survive the economic depression of the 1930s. In 1945 Nashville native Walter Sharp gathered a group of other music-lovers and founded the Nashville Symphony Orchestra after returning from service in the war. The orchestra initially played in the city's War Memorial Auditorium.
The first music director was William Strickland, who was with the orchestra until 1951, and established high standards from the beginning of his term. Successive music directors were Guy Taylor (1951-1959), Willis Page (1959-1967), Thor Johnson (1967-1975), and Michael Charry (1976-1982). Under Charry, the orchestra moved to its own permanent facility at the new Tennessee Performing Arts Center, where it gave an annual ten-concert classical series and a pops series. It also functioned as the orchestra for the Nashville Ballet and the Nashville Opera.
In 1983, Kenneth Schermerhorn became music director, raising the orchestra's standards to a national level. It participated in the music score to the PBS series Liberty! The American Revolution, which included diverse soloists such as James Taylor, Yo-Yo Ma, and Wynton Marsalis. The Sony Classical CD of the soundtrack was one of the first national releases of the orchestra. Its first straight classical release was an album juxtaposing Antonin Dvorák's "New World" Symphony with New York composer David Amram's Kokopelli. Following the establishment in 1998 of the "Symphony 2000" plan designed to advance the orchestra into the ranks of the best-known major U.S. orchestras, it started making a series of recordings with Naxos Records and has since earned numerous Grammy awards and nominations.
In 2006, a new performance space, Schermerhorn Hall, was opened, providing a dedicated and intimate place for concerts and recitals. At the same time, Schermerhorn stepped down and a search for a new director began. During the 2009-2010 season, the Nashville Symphony's director was Giancarlo Guerrero, and under his leadership, it continued to maintain high standards of programming and performance.

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