Her unusual stage name is actually a social media handle. "Bat Dawid" is a Hebrew phrase for "daughter of David," and alludes to the spiritual practice at the heart of her music.
Dawid grew up in Chicago and was introduced to music by her father and mother, whose backgrounds were rooted in funk, jazz, and classical music as well as Broadway musicals. Her father took her to see the Milos Forman film Amadeus when she was five years old. Instantly taken with the prodigy composer and the violin, she asked to learn to play one in the school orchestra but was given a clarinet instead. She wasn't impressed; at that time, the only music she could find at home on records was by Benny Goodman, who was far from hip. Nonetheless, she continued to study the instrument and advance her musical education. Not long after, she heard Mozart’s clarinet concerto; it convinced her of the instrument’s appeal. She began taking piano lessons at age 12, and studied at the Moody Bible Institute, flunked out, and enrolled at Roosevelt University. At 22, she was diagnosed with a brain tumor that eventually required surgery. After a long period of recovery, Dawid took a job selling high-end lingerie and stuck with it for seven years, playing music at night and on weekends to advance her skills. At age 32, she quit to take a year off and devote herself to music. She cashed in her 401k, rented a coach house, and eventually discovered the free-jazz sessions that saxophonist David Boykin led for his Sonic Healing Ministries organization. Coached by the saxophonist, she learned how to play by ear, thus changing the trajectory of her life. Inspired, she co-founded the Participatory Music Coalition with other musicians she met at the South Side Community Arts Center that hosted the Sonic Healing Ministries, including Adam Zanolini (now executive director of the Elastic Arts Foundation), installation and performance artist Viktor Le Givens, and Gay. She took any gig that came her way no matter the style and/or musical genre. Her improvisational chops had vastly improved while at Sonic Healing Ministries and through her encounters with other players. By 2014 she had become an important and near-ubiquitous part of the Windy City's vanguard jazz community and has worked with Gay, McCraven, Mazurek, Mitchell, and Jaimie Branch, and performed in the sprawling, ambitious Black Monument Ensemble led by Eternals' frontman Damon Locks. Between 2014 and 2018, she took a day job, working behind the counter at Hyde Park Records until leaving to focus on music full-time. As active as she is on Chicago's avant-garde circuit, Bat Dawid was unsurprisingly noticed by Scott McNiece of the International Anthem label, well known for its documents of Chicago musicians and others. McNiece inquired about a series of demos she'd recorded over the previous two years, all over the world, on her cell phone -- for musicians she was playing with who didn't read music. McNiece loved the demos as they were. Dawid set about piecing the various parts of the demos together -- clarinet and keys, drum patterns and lyrics. The finished work was issued in early 2019 as The Oracle and was immediately acclaimed for its use of various musical traditions, from folk, blues, jazz, and classical to avant, improv, and Afro-Futurist spiritual jazz. ~ Thom Jurek, Rovi