Imperiet started as Rymdimperiet, a side project to the most popular punk band in Sweden, Ebba Grön, and included three of its members. Rymdimperiet's single, "Vad Pojkar Vill Ha," and the self-titled EP from the next year was a development away from punk, similar to what could be heard on Ebba Grön's albums, only more marked. When Ebba Grön broke up in 1983, Rymdimperiet re-emerged as Imperiet; singer and guitarist Thåström, drummer Ljungstedt, and keyboard player Sjöholm were joined by bassist Falk from Madhouse. Imperiet's debut single was called "Alltid Rött Alltid Rätt" and later the same year they released "Rasera," on which some of the punk heritage could still be heard in the lyrics. In 1983, Hägglund joined the band to play keyboard and saxophone, and Sjöholm switched to guitar. But he left in 1994 to form Babylon Blues.
With some fame inherited from Ebba Grön, Imperiet got a flying start on the alternative market, and in 1985, the release of Blå Himlen Blues meant a massive breakthrough on the mainstream market. Imperiet ended up doing three nationwide tours that year, playing in the States for the first time and recording their first live album, 2:a Augusti 1985. After Ljungstedt left the band, Imperiet kept up their popularity by releasing Carl Michael Bellman's old ballad, "Märk Hur Vår Skugga," as a single, and in the spring they toured Central America and the U.S. Synd was released in 1986 and featured the not yet so experimental string quartet Flesh Quartet. Now plans for an international career were being drawn up together with the record company A&M. A single had already been released in England, and while touring Sweden, the band started to record their first full-length album in English. It was released in spring 1988 under the name Imperiet and contained translated versions of their old songs. But in spite of an intensive promotion tour through Europe, the album was only a success in Sweden, and this put an end to plans for an international career. After this, Imperiet was known to be torn by internal troubles. Hägglund left the group and Tiggarens Tal, by many considered Imperiet's weakest record, was recorded using session musicians. The remaining trio continued to tour in 1988, but in the autumn they finally decided to disband what had been the most popular Swedish group of the '80s. Thåström had been the star all along, and he was the only one of the members to have a successful solo career, continuing on the same musical track before turning to industrial rock with Peace Love & Pitbulls in the '90s. ~ Lars Lovén, Rovi