And witness the fortuitous phone call from Irvin Mayfield to Jason Marsalis, who suggested that the trumpeter call Summers about his idea for a Latin rhythms/jazz fusion-inspired group. Late-night sessions at the Summers residence resulted in the 1998 formation of Los Hombres Calientes, an overnight sensation in New Orleans and then the world. Los Hombres Calientes tore the roof off Snug Harbor, the House of Blues, and ignited the stage at the New Orleans Jazz and Heritage Festival with its searing dance music and has produced three CDs. The success of multi-award-winning Los Hombres Calientes owes much to the knowledge of the seasoned Summers, playing with Mayfield and Marsalis, both in their early twenties. Summers, a former Detroit Observatory student, R&B star (with "Call It What You Want" in 1981) and veteran of the Walter Payton Trio and Herbie Hancock's Headhunters, knows literally hundreds of African and Cuban percussion rhythms from decades of study.
He and his musician wife, Yvette Bostic-Summers, who plays and sings with Los Hombres Calientes, steer the helm of the Summers Multi-Ethnic Institute of Art, which takes students to Cuba to study Afro-Cuban music. In 1999, Bill Summersand several of his students were initiated into the prestigious Yoruba order of sacred drummers by Estaban "Cha Chaa" Vega, the most revered drummer in Cuba.
This wealth of knowledge can be heard in Summers' inspired playing on the Volumes 1, 2, and 3 CD releases of Los Hombres Calientes, as well as musical ventures with other groups that cross musical boundaries.