Continuing as the sole human performer in Sopor Aeternus, Varney also credits the Ensemble of Shadows for her inspirations. These are spirits, beings who she says she receives the musical compositions from. She also works through depression with the aid of her music, as can be heard on the demos, produced at a time when she was gravely ill and at risk of losing her eyesight. She describes her subsequent works as "introverted exhibitionism." They are also expressions of extreme, intense pain.
Varney's second album, Todeswunsch Sous le Soleil de Saturne ("Deathwish Under the Sun of Saturn") a 1995 release, was a curious combination. While musically it seems perhaps a bit gentler and less depressive, its lyrics were so painfully evocative that she said she found herself weeping while recording some of the songs. The theme? "Suicide, sweet suicide."
The Ensemble of Shadows dissuaded Varney from committing suicide, and in 1997, as she dealt with issues of her transexuality, she expanded her name to Anna-Varney. She has expressed in interviews the feeling that her album Inexperienced Spiral Traveller, from 1997, is her "worst" release, despite its sales success. Voyager the Jugglers of Jusa followed in 1998. The song "Feralia Genitalia Arrival of the Jugglers" shows a gender operation theme. Yet perhaps the most unusual song is a cover version of Kraftwerk's "Das Modell" which she translates into Latin and plays on a baroque harpsichord.
1999 brought the release of Dead Lover's Sarabande (Face One). It is steeped in the pain of inevitable loss and death. Dedicated "to 1334," it commemorates the suicide of former Christian Death member Rozz Williams on April 1, 1998. Anna-Varney and he had developed a friendship through letter writing and had thought about a collaboration, which sadly, was never to be. As is characteristic of her deliberately mysterious approach, she steadfastly declines to explain the lyrics of this slow, grieving, dark production. Then, in March 2000, came the companion volume, Dead Lover's Sarabande (Face Two), with more of Anna-Varney's catacomb deep, stygian intensity. ~ Murrday Fisher, Rovi