At first unknown outside of Moravia, where he was recognized primarily as a teacher, conductor, and champion of folk music, Janácek first gained national and international fame with the Prague production of Jenufa in 1916. The success of Jenufa in Prague tremendously energized the composer, who, in his sixties, experienced an astonishing creative surge, composing several masterpieces. Janácek's euphoric state of mind could be attributed to two factors. First of all, after the foundation, in 1918, of the Czechoslovak state, Janácek became a national celebrity. The second, and perhaps more important, factor, was Janácek's affection for Kamila Stösslová, a considerably younger married woman. While his ardor was not reciprocated, Janácek's passion for Kamila undoubtedly simulated his creativity. Janácek's modern fame rests on his four last operas, Kát'a Kabanová (1921), The Cunning Little Vixen (1924), The Makropulos Affair (1926) and the posthumously premiered From the House of the Dead (1930). What makes these works outstanding is Janácek's profound dramatic sense, which allows his operas, in spite of their brevity, to effectively communicate a complex plot. The dramatic effect is heightened by the composer's ability to adapt his music to the tonal and rhythmic characteristics of the Czech language. The last four operas in particular are perfectly paced for the right dramatic impact. In addition, Janácek drew on the inner resources of music and speech to convey complex feelings and emotional states to his listeners. Janácek's extraordinary power in translating profound psychological insights into music truly comes to the fore in The Makropoulos Affair, based on a work by Karel Capek, a story about a woman with the gift of eternal youth. In 1926, Janácek, whose early interest in Moravian folk music developed into an effort to grasp Slavic musical traditions in their totality, composed his Glagolitic Mass, a work aiming to express the profound spiritual bonds underlying the seemingly disparate cultural traditions of the Slavic nations (the term "glagolitic" refers to one of the early alphabets of Old Slavic). During his final creative period, Janácek also composed a small number of exceptional chamber works, including the two string quartets and the Sinfonietta. In addition to his work as a composer, Janácek actively contributed to his country's musical life as a teacher, critic, and organizer. Founder of the Brno Organ School (later to become the Brno Conservatory), director of the Czech Philharmonic Orchestra, teacher at the State Conservatory of Prague, and initiator of many musical festivals, Janácek greatly enriched Eastern European music education and culture.