1981's sophomore effort, Sirocco, did not mess much with their proven formula. Alongside hits like "Lakeside," "Things Don't Seem," and "Errol," the album also produced their standard "Unpublished Critics," a Reyne rant later redone as a live track on the B-side of "Louie, Louie." The follow-up, Sons of Beaches, added famed producer Mike Chapman to the mix, lending the proceedings a more polished sound, while much of the music remained the same (the hit "Shutdown" even borrowing its title from a Beach Boys classic). However, Sons also found Reyne starting to veer off into new territory, earmarked by the cryptic "Letter from Zimbabwe." Still entrenched in classic Crawl arrangements, hints began to emerge at Reyne's crucial shift in direction. After a number one 12" EP, Semantics, the Crawl released their fourth and final studio album, Phalanx at the end of 1983. (The American version of this album, released on Geffen in 1984, bore the title Semantics, and served as more of a compilation of the Crawl's career to date.) Aside from the cover of "Louie, Louie," Phalanx also contained the smash single "Reckless," a song Reyne would later redo for one of his solo ventures. Shortly before their demise, the Crawl served as opening act for Duran Duran on certain legs of the Arena tour. They would release a rare live album, Final Wave and a posthumous singles collection, Crawl File, before Reyne jaunted off on a hugely successful solo career that continues to thrive in his native Australia.
Significantly, each of the Crawl's four studio albums and their EP all reached the Top Five on the Australian pop charts, granting them a level of fever-pitch success shared by only a handful of Aussie artists before or since. ~ Tomas Mureika, Rovi