Moonlight Sonata (Act 3)
For the Horde
Feast of Flesh
Metal Is King
Los Angeles based neo-classical shredders Exmortus, founded by guitarist and vocalist Jadran “Conan” Gonzalez, have racked up achievement after achievement.
From appearing in a national TV commercial for Virgin Mobile to being played constantly on Sirius XM’s Liquid Metal, from appearing on the first Ozzfest meets Knotfest in San Bernadino to touring with heroes Children of Bodom and Marty Friedman. However it’s probably the band’s 5th album, The Sound of Steel, that Conan will be most proud of. It’s his most personal album, an album forged together after a bit of a setback but also one that given his upbringing could never have not seen the light of day.<br>An LA fixture for well over a decade now, they released their first LP, 2008’s In Hatred’s Flame, when Conan was just 18 years old, but had already paid their dues through their shows and buzzed about demos. The mixture of thrash, death, black and especially neo-classical that made them stand out from the LA thrash revival in the '00s. “Classical influence came from watching Fantasia and Looney Tunes a bunch as a kid," explains Conan. “Of course I got into Ozzy because of Randy Rhoads's neo-classical style and then into Yngwie . With The Sound of Steel, Conan once again revisited the team that made Slave... and Ride Forth such successes, working with producer Zack Ohren (Machine Head, Fallujah, Suffocation) at Sharkbite Studio and artist, Philip Lawvere (Kreator, Celtic Frost, Helloween), created the cover art.