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René Jacobs


  1. 1.
    Le Nozze di Figaro, K. 492: Sinfonia - Wolfgang Amadeus Mozart, Concerto Köln,
  2. 2.
    Matthäus-Passion: Zweiter Teil, 39. Aria (Alt) Erbarme dich - Johann Sebastian Bach, Bernarda Fink, Akademie für Alte Musik Berlin,
  3. 3.
    La Clemenza di Tito: Atto secondo, scena XV. No.23 Rondo Vitellia "Non più di fiori" - Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester,
  4. 4.
    Così fan tutte, K. 588: Act 2: Rondo "Per Pietà, Ben Mio, Perdona" - Wolfgang Amadeus Mozart, Concerto Köln, Véronique Gens,
  5. 5.
    Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): I. Introitus - Requiem æternam - Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Freiburger Barockorchester
René Jacobs began his career as a countertenor and quickly earned the reputation as one of the finest of his time.
But he gradually turned to conducting and since the turn of the new century has rarely sung in concert. As a countertenor Jacobs championed a string of forgotten Baroque composers on his recordings: Antonio Cesti, Sigismondo d'India, Luca Marenzio, Pierre Guédron, Michel Lambert, and others. But he also sang, in both concert and opera, many standards by Monteverdi, J.S. Bach, Handel, Telemann, and Mozart. As a conductor, he has led many performances of sacred music by J.S. Bach, Buxtehude, and others, and has focused heavily on the operas of Monteverdi, Handel, and Mozart. He has conducted purely orchestral music as well, notably symphonies by Haydn and Mozart. Many of Jacobs' 100-plus recordings are available on Harmonia Mundi, Deutsche Harmonia Mundi, Berlin Classics, Capriccio, and Arthaus Musik.
René Jacobs was born in Ghent, Belgium, on October 30, 1946. As a child he was a chorister at St. Bavo's Cathedral in Ghent. After obtaining a degree in philology from Ghent University, he studied voice with Louis Devos and Lucie Frateur. Later on he took master classes with countertenor Alfred Deller. Already active on the concert stage, Jacobs made his operatic debut in Amsterdam in 1974, singing Clerio in Francesco Cavalli's Erismena. In 1977 Jacobs founded Concerto Vocale, an ensemble he would appear with in many concerts, operatic productions and recordings.
By the 1980s Jacobs was steeped in conducting commitments, though he continued to sing, often in the same concerts. He was also editing performing editions of operas, as he famously did for the 1989 performance he led at the Opera de Montpellier of Monteverdi's L'incoronazione di Poppea.
In the 1990s Jacobs established his credentials as one of the finest conductors on record of Mozart's operas. His 1998 Così fan tutte, for Harmonia Mundi, became one of the label's best selling recordings. But it wasn't just his Mozart that drew attention: Jacobs' performances of Haydn's Il mondo della luna at the 2001 Innsbruck Festival and at the Staatsoper unter den Linden the following year drew lavish critical praise. In 2004 Jacobs received the Cannes Classical Award for his recording of Handel's Rinaldo and in 2005 he was awarded the prestigious Diapason d'Or for his recording of Haydn's The Seasons. Among Jacobs' later recordings are his 2009 Idomeneo and 2010 Die Zauberflöte, on Harmonia Mundi.


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