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Anima Eterna

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  1. 1.
    Concerto for Flute and Harp in C Major, K. 299: III. Rondo - Wolfgang Amadeus Mozart , Frank Theuns , Marjan de Haer
    10:030:30
  2. 2.
    Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio - Ludwig van Beethoven , Jos Van Immerseel ,
    9:420:30
  3. 3.
    Symphony No. 9 in D Minor, Op. 125: II. Molto vivace - Ludwig van Beethoven , Jos Van Immerseel ,
    13:310:30
  4. 4.
    Concerto for Flute and Harp in C Major, K. 299: II. Andante - Wolfgang Amadeus Mozart , Frank Theuns , Marjan de Haer
    7:320:30
  5. 5.
    Sinfonie No. 6 in C Major, D. 589: III. Scherzo, Presto - Piu lento - Presto - Franz Schubert , Jos Van Immerseel ,
    6:040:30
Founded in 1987 by Jos van Immerseel as a musical Petri dish to cultivate the results of his research into music of the baroque era, Anima Eterna Brugge evolved from a compact string ensemble to the full-bred symphonic orchestra that it is today, exploring repertoire from Bach, Mozart and Beethoven to Strauss, Debussy and Gershwin.
The consequent use of period instruments, the permanent direction by its inspirator van Immerseel, a project-based setup and respect for the composer’s intentions, are at the core of this orchestra’s vision. Soloists either stem from Anima’s own ranks, or are ‘friends of the family’ - Claire Chevallier (piano), Chouchane Siranossian (violin), Lisa Shklyaver (clarinet) and Thomas Bauer (baritone), to name but a few. With its partners Opéra de Dijon, and Concertgebouw Brugge, Anima continues along the lines of an exceptional trajectory that by now stretches over a quarter of a century. During this time, the orchestra has produced an impressive range of recordings, since 2015 with record label group Outhere Music/Alpha Classics. Anima’s curiosity and the public’s amazement haven’t faded over the years: the orchestra still vouches for innovation without provocation, and keeps on getting its drive from musicological research and analysis, a logical and natural approach, and tons of musical passion and pleasure.

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