Though most of Ibert's works for the stage remain relatively little known, both the one-act opera Angélique (1926) and the Don Quixote-themed ballet Le chevalier errant (1935) have enjoyed continued currency. More popular still, and indeed, one of Ibert's most enduring creations, is the colorful, comical Divertissement (1930) fashioned from the composer's incidental score to Labiche's The Italian Straw Hat. Reflecting the farcical frenzy of the story, Ibert's score is a comic panoply that includes everything from jazz elements to Viennese waltzes to the "Wedding March" from Mendelssohn's Midsummer Night's Dream.
Among Ibert's other works, the Concerto da camera (1935) for alto saxophone and 11 instruments stands out as one of a handful of genuine mainstays of the saxophone repertoire. Like a number of his "serious" contemporaries, Ibert also ventured from time to time into film scoring; his most conspicuous efforts in this realm include music for Orson Welles' 1948 version of Macbeth and the "Circus" sequence from Gene Kelly's Invitation to the Dance (1952).