and Stephens left Perennial Divide by 1988 and recorded an album that same year -- using a touring group of up to 13 members for occasional live shows. The tapes were damaged in a fire, so the two recorded Storm the Studio a year later. Just as dense and sample-heavy as the first singles, Storm the Studio -- no need to explain the title -- included multiple versions of three of them as well as additional track "Strap Down," encompassing high-energy dub, hip-hop, and noise rock. With an American deal through Wax Trax!
, Meat Beat Manifesto became known in the U.S. as an industrial band, though Dangers
and Stephens felt themselves pigeonholed. The duo moved to the San Francisco area soon after, and formed a rough political collective with the members of Consolidated
and the Disposable Heroes of Hiphoprisy
. (Jack Dangers
and Consolidated'sMark Pistel
co-produced early Disposable Heroes
material.) Meat Beat Manifesto, meanwhile, continued their audio terrorism with 99%, a 1990 album that added some jazzy rhythms to the collage of noise. That same year, Wax Trax!
recycled the remaining tapes from the aborted first album and released them as Armed Audio Warfare.
and Stephens signed away from Wax Trax!
to the major label Elektra
in 1992, the duo finally shook the industrial tag that had stuck with them previously. Instead, the media christened the follow-up, Satyricon, a techno album, due to both the duo's tour of the U.S. with Orbital
and the album's groove-heavy update of old synth groups such as Depeche Mode
early material began to be name-checked as at least a partial motivation for the trip-hop and drum'n'bass movements, due to the studio mechanics inherent in the music. The late-'90s full-lengths Subliminal Sandwich and Actual Sounds + Voices increased Dangers
' devotion to the experimental side of electronica, though his first Meat Beat Manifesto LP of the new millennium (RUOK?) was a more Spartan affair. Around this time, Dangers
contributed to the Tino's Breaks series of records released on the Tino Corp.
label he co-owns with Ben Stokes
). He also began releasing solo albums, including 2001 mixed CD Hello Friends!, 2002's Variaciones Espectrales, and 2004's sci-fi excursion Forbidden Planet Explored and Loudness Clarifies/Electronic Music from Tapelab.
moved Meat Beat Manifesto to the Thirsty Ear
label in 2005. His first release on the label, At the Center, became part of Thirsty Ear
's Blue Series, a series of recordings that explored new avenues of jazz. Keyboardist Craig Taborn
, Bad Plus
drummer Dave King
, and flutist Peter Gordon joined Dangers
on the album, which was followed by the related Off-Centre EP. The group embarked on an ambitious worldwide tour which utilized innovative real-time video technology, subsequently documented by CD Live '05 and DVD Travelogue Live '05. 2007 release Archive Things 1982-88 contained rare early material by MBM, as well as an entire disc by Perennial Divide.
In 2008, Meat Beat's album Autoimmune was released by Metropolis
in the United States and Planet Mu
in the U.K. The album was a partial return to their earlier, vocal-driven post-industrial style as well as an exploration of the then-emerging dubstep sound, which the group helped influence. Answers Come in Dreams followed in 2010, again issued by Metropolis
in the States but handled by Hydrogen Dukebox
in the U.K. In 2012, the group released Test EP, a limited box containing a short DVD by MBM and a full-length CD by the Forger, a side project of Dangers
. 10" EP Kasm 02 was released by Skam
in 2015, and a limited EP was issued during the group's few 2016 live dates. Full-length studio album Impossible Star was released by Virtual Label
in early 2018. ~ John Bush, Rovi