‘Emmanuel’ is one of the sparsest tracks found here. Although undoubtedly tragic, her fixation on respite during isolation emerges. On 80s FM inspired ‘Receive’, this is particularly apparent, featuring beautiful arpeggiated guitars underlying the relief reflected in the lyrics, with string sections blurring into intensifying synths. Another track that gradually burns up in drama is ‘Polymnia’, with clashing saxophones and electric guitars on its outro. The album’s closer explains escaping from the ups and downs of the day-to-day grind, with this revelation emerging in the lines: “I take my eyes and pry them right off the prize”. The mellow, unhinged ’Comfort’ deceives a little through its title. 'Be the opiate to my bones’, Lindfors asks disarmingly over modulated Fender Rhodes and murmuring synth pads.