Lillie Mae has been singing and playing on stages across the U.S. since she was, quite literally, a child. Though born in Illinois, she was raised almost from the very beginning as an itinerant singer and musician: Her father, Forrest Carter Rische, was a traveling songman who taught all five of his children to play and sing; he eventually drafted them all into the Forrest Carter Family Band. They traveled the American Highway in their motor home, busking from Branson, Missouri to the Texas Rio Grande Valley to Nashville, parking in campgrounds and trailer parks.
Though the family spent most of their time among other well-traveled musicians, the Risches led a sheltered life. Her parents were intensely religious, setting firm boundaries against anything deemed too worldly. With limited access to much outside their musical universe, Lillie Mae and her siblings were a tight-knit family unit, which laid the foundations for their own musical approach a bit later.
In 2000, the Rische family was invited by Cowboy Jack Clement to visit Nashville for an audition. He discerned the potential in the siblings in general and the pre-teen Lillie Mae in particular, whom he declared a major voice when she was just nine. In an interview, Lillie Mae stated that "Cowboy was closer to me than any grandparent I ever had. His influence on me is still strong. He always pushed me to play different instruments; he saw how I would pick up everything in the studio. He was a good friend to me and we remained close until he passed away."
Lillie Mae, brother Frank Carter Rische, and sisters Scarlett, Amber-Dawn, and McKenna Grace eventually formed their own band, the Risches. The group's live sets at the Lower Broadway honky tonk Layla’s Bluegrass Inn made them a must-see local attraction. In the press and on the street they were acclaimed for their adept musicianship and an uncommon, original bluegrass/country/pop fusion music. Changing their name to Jypsi, the group signed to a major-label and in 2008, released their self-titled debut album. They scored a Top 40 country hit with the single "I Don’t Love You Like That," penned by Liz Rose and Stephanie Chapman, but fickle country radio programmers weren't ready for Jypsi's iconoclastic Americana. Lillie Mae kept writing songs that articulated the unique worldview that emerged from her hard-won life experiences. She met White in 2012 and joined his all-female live and studio band the Peacocks as fiddle and mandolin player. The pair -- who are both the youngest children of large families and instrumental polymaths -- had much in common and became fast friends. But it went further in that White respected Lillie Mae as a truly original songwriter. He produced her 2014 Third Man single. Given the musical chemistry shared during that experience, the pair commenced work on an album in 2016. They began with three songs to see if it would hold, and the material kept on coming. Recording at Third Man Studio in Nashville, White got engineer Joshua V. Smith to helm the board. Mae -- who wrote all 11 songs on the album -- roped in brother Frank on guitars and sister Scarlett on mandolin. Brian Zonn and drummer Tanner Jacobson -- longtime family collaborators -- anchored the rhythm section. The recording sessions also featured a slew of guests: keyboardist Dean Fertita (the Dead Weather), banjoist Ian Craft (the Howlin’ Brothers), and pianist Cory Younts (Old Crow Medicine Show), with harmony vocals from McKenna Grace Rische, and singer/songwriter Carey Kotsonis.
Two pre-release singles, "Over the Hill and Through the Woods" and "Wash Me Clean," were released during the winter of 2017, with the full-length, Forever and Then Some, appearing in the spring. That same year Mae also appeared in the PBS documentary The American Epic Sessions.
In 2019, Lillie Mae worked with producer Dave Cobb on Other Girls, her second album for Third Man Records. ~ Thom Jurek, Rovi