Never a major soloist himself on the level of an Oscar Pettiford, Potter (who usually just played four-to-the-bar lines) was really an advanced swing stylist who was flexible (and skilled) enough to keep up with Parker's often rapid tempoes. He actually began on the bass fairly late, originally playing piano and guitar and not switching to bass until he was already 21 in 1940. Potter worked with John Malachi, Trummy Young and then quite notably the Billy Eckstine Orchestra (1944-45). After playing with John Hardee and Max Roach, Potter joined Bird's group. In addition to his work with Charlie Parker, Potter recorded with Bud Powell, Fats Navarro, Wardell Gray and other top bop musicians during the era.