Cliff Richard was born Harry Rodger Webb in Lucknow, India which, on October 14, 1940, was part of the British Empire. His father, Rodger Oscar, worked for a catering contractor employed by Indian Railways and the Webb family remained in India until the country gained its independence from Britain in 1948. Relocating to a semi-detached in the London suburb of Carshalton in Surrey, Harry Webb, like so many teenagers of his era, became interested in music thanks to the skiffle phenomenon of 1956/1957. A quick succession of groups came and went -- he formed the Quintones in 1957, then joined the Dick Teague Skiffle Group -- before settling with the U.K. group called the Drifters, who became popular enough to attract the attention of manager Harry Greatorex. He suggested a name change -- the Cliff came from Greatorex, the Richard came from Drifters
guitarist and songwriter Ian Samwell, who penned "Move It" -- and soon the band became Cliff Richard & the Drifters, playing larger shows and landing a record contract. "Schoolboy Crush" was planned as the A-side with "Move It" as its flip, but momentum built for the raucous B-side and, soon, the record galloped to number two on the U.K. singles chart.
"Move It" turned Cliff Richard into a star and it ushered in a boom in British rock & roll, of which Richard was the undeniable leader. "High Class Baby" made it to seven by the end of 1958 and, after a slight dip in early 1959 with "Livin' Lovin' Doll" (which only made it to 20), he brought "Mean Streak" to 10 and had back-to-back number ones with "Living Doll" and "Travellin' Light." "Living Doll" was not only was Richard's first number one, it was the first to feature his band -- now including guitarist Hank Marvin
, guitarist Bruce Welch
, bassist Jet Harris
and drummer Tony Meehan
-- on record (previously, he recorded with studio musicians). Not long after the number one success of "Living Doll," the band faced legal action from the U.S. R&B group the Drifters, so they change their name to the Shadows
; as Richard's career maintained momentum, the Shadows
would have their own side success as an instrumental outfit, with the band's lineup shifting slightly but always anchored by Marvin
Richard was quick to capitalize on his popularity, starring in his first film Serious Charge in 1959, and softening his sound slightly to appeal to a broader audience. Throughout the early '60s, the singles and albums came quickly and so did the films. In 1960, he had five hit singles, all reaching the top three -- "Please Don't Tease" and "I Love You" topped the charts, "A Voice in the Wilderness" and "Fallin in Love with You" reached two, "Nine Times Out of Ten" peaked at three -- and he started to cultivate a fan base in Europe, Australia, and New Zealand. Richard took a stab at America, touring the country in 1960, but he never made any inroads in the U.S. This lack of stateside success was easy to ignore as Richard was not only the biggest recording star of the early '60s in the U.K. -- from 1960 to 1965, every one of his singles reached the Top 10, with "The Young Ones," "The Next Time," "Bachelor Boy," "Summer Holiday," and "The Minute You're Gone" all reaching number one -- he was also a huge movie star; 1961's The Young Ones confirmed his silver screen appeal, and 1963's Summer Holiday and 1964's Wonderful Life were also equally popular.
His popularity took a hit in 1964 once Beatlemania kicked in and a wave of guitar groups flooded the British charts. Richard survived 1963 and 1964 without slipping from the Top 10, but by 1965, placing in the Top 10 was no longer guaranteed. Richard gamely tried to follow the trends, covering Mick Jagger
and Keith Richards
' "Blue Turns to Grey" in 1966, but this period is distinguished by his public declaration in 1964 that he was a Christian. He considered leaving rock & roll behind but wound up pursuing a parallel career, performing secular material and religious work elsewhere, occasionally headlining Christian films. The next pivotal year in Richard's career was 1968, the year when he represented the U.K. in the Eurovision contest via the song "Congratulations" and when the Shadows
disbanded. The singer continued his relationship with Hank Marvin
, with the guitarist appearing regularly on the variety show It's Cliff Richard, which premiered in 1970 and ran until 1976. Throughout the early '70s, Richard was a show biz fixture -- in addition to It's Cliff Richard (which morphed into It's Cliff and Friends in 1975), he appeared on BBC's Pop Go the Sixties and other television shows, including hosting early rounds of Eurovision -- but the hits slowed to a trickle; only 1973's "Power to All Our Friends" matched any of his '60s hits in popularity, becoming his first single since "Congratulations" to be awarded Silver certification. In 1975, he didn't place one single in the U.K. charts, breaking his 16-year streak of hits.
Conscious of this stagnation, Richard brought ShadowBruce Welch
back into the fold for 1976's I'm Nearly Famous, a record that followed in the footsteps of Elton John
or, arguably, the John
-sponsored 1975 comeback from Neil Sedaka
. I'm Nearly Famous was wildly successful thanks to "Devil Woman," a song that not only brought him back to the Top 10 in Britain but gave him his first-ever U.S. hit; it actually charted higher in America than it did in Britain, peaking at six instead of nine. "Devil Woman" kicked off a five-year renaissance for Richard, where he regularly saw the top of the British charts and had two more international hits: "We Don't Talk Anymore," from 1979's Rock N Roll Juvenile and "Dreamin'," from 1980's I'm No Hero. Richard re-teamed with Olivia Newton-John
, who he had been performing with since the early '70s, for the 1980 film Xanadu, whose soundtrack produced the hit "Suddenly." Richard racked up a few more hits in the early '80s -- there was the vaguely new wave "Wired for Sound" in 1981 and the Phil Everly
duet "She Means Nothing to Me" in 1983 -- but the comeback started to slow down as the decade progressed. He teamed up with comedy troupe the Young Ones -- who took their name from his hit 1961 movie -- for a Comic Relief cover of "Living Doll" in 1986 and, also that year, he appeared in the West End musical Time and had a hit duet with Sarah Brightman
on the Phantom of the Opera song "All I Ask of You." All this led to 1987's Always Guaranteed, his most successful album of the '80s thanks to the singles "My Pretty One" and "Some People." For its 1989 follow-up Stronger, Richard worked with hit-makers Stock-Aitken-Waterman
, which marked the last time he truly attempted to sound contemporary.
During the '90s and into the new millennium, there was little question Cliff Richard was a British pop music institution, appearing regularly on television and at public events and occasionally popping up on the charts. In 1995, he was honored with the appointment of a Knight Bachelor in the British Empire. In 1999, when EMI
refused to release his single "The Millennium Prayer," Richard marshaled public support to get the song, which was independently released, to number one. Remarkably, he was able to score more Top 10 singles over the course of the 2000s: the seasonal "Santa's List" and "21st Century Christmas" went to five and two, respectively in 2003 and 2006, then his 50th Anniversary Album spawned the number three hit "Thank You for a Lifetime" in 2008. Richard celebrated his 50th Anniversary in 2008 in spectacular fashion, reuniting the Shadows
for a tour and releasing a box set called And They Said It Wouldn't Last: My 50 Years in Music. The reunited Richard & the Shadows
released a brand-new album called Reunited in 2009. The following year, he had a grand celebration of his 70th birthday capped off by six concerts at Royal Albert Hall. In 2001, Richard took a detour into soul for the Lamont Dozier
-produced Soulicious and then in 2013, he released his 100th album, The Fabulous Rock N Roll Songbook. He returned in 2016 with Just... Fabulous Rock 'n' Roll, an album of covers of songs from pioneers of the rock & roll genre. ~ Stephen Thomas Erlewine, Rovi