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Good Fuck

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Tim Kinsella and Jenny Pulse have consummated their love on disc. The result is Good Fuck, an erotic exploration of experimental literary techniques and adventurous electronic beats.
There’s audible chemistry in Good Fuck’s sound; Kinsella’s extensive history in music (Joan Of Arc, Cap'n Jazz) is strikingly complimented by Pulse’s fresh ear for minimalist electro sounds.
Kinsella says he and Pulse were “stunned” by the results of their collaboration, but their process wasn’t perfect. “Of course there were snags, technological and psychological. And of course we threw a good amount away. But what was left was not the result of trying to write songs, but the effortless evidence of what emerged when we got clear in our intentions and then just let it out,” Kinsella recalls.
But listeners won’t notice Kinsella’s perceived imperfections, the album’s eerie synth soundscapes and chanted vocals flow effortlessly from track to track. The music of Good Fuck melds the sensual with the cryptic, the erotic with the esoteric. Good Fuck reminds us that experimental music doesn’t necessarily need to be caustic or harsh, it can exist comfortably in the groove of a seductive electronic beat.

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