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Dervis Can Vural


  1. 1.
    Gigue for Ayla
  2. 2.
    Improvisation 1
  3. 3.
  4. 4.
    Infinite Sirto
  5. 5.
    The Epic of Failure
My compositions are experiments in counterpoint, distortion and noise, microtonality, electroacoustic improvisation, and various folkloric and classical forms of the Middle East and Balkans.
My music is inspired by aged cheese, perturbation theory, naturalism, loudspeakers, canine teeth, typeface, periodic motion, textured surfaces, counting, harmonic analysis of fans and engines, solipsism, tabasco, statistical mechanics, autism, fungi, espresso, brownian motion, horticulture, cryogenics, children's poetry, thick liquids, artificial life, two level systems, bipedal motion, race and gender, long sticks, rotations, peanut butter, brown noise, random matrices, trance, materialism, raw food, alexithymia, linux, crackling shells and leaves, cellular automata, counterpoint, reductionism, fermentation, solkattu, the clavicle bone, Japanese interior design, Debussy, LaTex, dumpster diving, chemical oscillations, subjective idealism, linear response theory, memetics, minimalism, micrographs, open source, quasicrystals, tahini, motor skills and posture control, savants, throat singing, parasites, thermodynamics, art nouveau, psilocybin, phasing, analog computation, slime molds, frame drums, markov processes, train travel, granular synthesis, recursion, lucid dreaming, binoculars, ink, keyholes, bebop, freshwater shrimp, mechanical keyboards, caudiciforms, evolution, light bulbs, microtonal scales, freshwater ecosystems, LSD, Aymara and harmonicas.


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