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Honyock

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For Honyock, it was nigh about time to pull up stakes and head north to Portland. It had been almost three years since the group’s last release, a demo EP of compellingly sinuous “peyote-tonk” numbers that were nevertheless waiting for some kind of catalyst—the sort of fire that might bring forth the ashes to polish their sound to a silvery patina.
What happened next was a mini-miracle in indie rock serendipity. From the time they were upstart novices listening along in their room to Dr. Dog and other artists on Park the Van Records, the brothers had nurtured a dream of wedding their own work to a similar roster. Now, their demos had fallen into the hands of former Park the Van label heads Chris and Sabrina Watson, who had set down roots in Sacramento a few years back with a new label, Friendship Fever. Before long, Honyock was headed down to Elliott Smith’s former L.A. studio to record with songwriter/producer/frequent Father John Misty collaborator David Vandervelde.
The result of a dream made manifest, El Castillo (out July 20) serves as the band’s debut LP, part stylistic rebirth and part distillation of every quirk and feature that has made Honyock distinctly appealing since they first appeared. Far from tilling barren ground, Honyock have claimed an out-of-the way territory to cultivate their own unique musical sensibility, laboring for friendship, brotherhood, honesty and the sheer joy of the process, far from any fame or treasure-seeking notions.
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