(Brassphemy set in stone 2016, Apocalips 2018), a split (Subsound records Split Series #8 2019) and a book of scores (Brassphemy set in score 2018). With more than 350 shows all over Europe through 18 countries in just 4 years, Ottone Pesante is currently destroying a lot of boundaries between Metal, Jazz, Brass and Avant-Garde genres.
“DoomooD” is the third album and was composed in a palindrome manner, with a virtual mirror on the pentagram that overturn the composed sequences in two palindrome sides. The climax is the so-called “reverse canon superimposed” followed by the main voice coming down in a reverse motion, sometimes strict, sometimes changing rhythm or role from trumpet to trombone. Brass and drums are, as usual, the only sounding sources of the entire album, but to add a new dimension to their sound, the band invited two guest vocalist: Sara Bianchin from label mates Messa on the spellbinding single-track “Tentacles”, and long time friend Silvo Sassi from Abaton screaming his lungs on “Serpentine Serpentone” and “Strombacea”.