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Tabea Zimmermann


  1. 1.
    Harold en Italie, Op. 16, H. 68: 1. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio - Live - Hector Berlioz, François-Xavier Roth, Les Siècles
  2. 2.
    Konzert für Viola und Orchester SZ 120 (1945) (Ed. Tibor Serly): I. Moderato - Béla Bartók, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra
  3. 3.
    Viola Sonata: I. Impetuoso. Poco agitato - Rebecca Clarke, Kirill Gerstein
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    Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1: I. Allegro appassionato - Johannes Brahms, Hartmut Höll,
  5. 5.
    Elégie in G Minor, Op. 44 - Alexander Glazunov, Thomas Hoppe
Tabea Zimmerman is among the relatively few violists to have achieved both international critical acclaim and a large following of enthusiastic admirers.
Winner of several major competitions and numerous awards, she has appeared as soloist with many of the world's leading orchestras, including the Berlin Philharmonic, Leipzig Gewandhaus, and Orchestre de la Suisse Romande. Zimmerman has also performed major works specifically written for her, such as the Ligeti Sonata for solo viola (premiered 1994) and other pieces by Heinz Holliger, Wolfgang Rihm, Sally Beamish, and Josef Tal. Zimmerman's repertory is not only rich in contemporary works but takes in music from most periods, including works by J.S. Bach, Mozart, Beethoven, Richard Strauss, Elgar, Vaughan Williams, Bruch, Hindemith, Schnittke, and countless others. She has made over 40 recordings, spread over many labels, including Capriccio, DG, EMI, Harmonia Mundi, Naxos, Philips, RCA, and Sony.
Tabea Zimmerman was born in Lahr, Germany, on October 8, 1966. She began studies on the viola at three and on piano at five. At the Musikhochschule Freiburg, she studied with Ulrich Koch, from age 13. She later enrolled at the Mozarteum University in Salzburg where her most important teacher was Sándor Végh.
From 1982 she captured first prize in a string of prestigious competitions: the Geneva International Music Competition, Maurice Vieux Competition in Paris (1983), and the Budapest International Competition (1984). Zimmerman was quickly recognized as one of the leading German violists, performing performing with major European and Israeli orchestras and in chamber groups with such artists as Gidon Kremer, Pamela Frank, and Steven Isserlis. Zimmerman joined the faculty at the Musikhochschule Saarbrücken in 1987, serving for two years. She would later teach at the Frankfurt University of Music (1994-2002) and has been a professor at the Berlin-based Hanns Eisler Academy of Music since 2002.
Meanwhile, not only was Zimmerman's solo career achieving meteoric status, but her chamber activity, especially as a member of the Arcanto Quartet, was also drawing international acclaim: the Arcanto Quartet's 2004 Stuttgart debut and later debuts at the Beethovenhaus Bonn, Wigmore Hall in London, and the Amsterdam Concertgebouw were great successes, leading to the ensemble's highly praised 2007 recording of the Bartók Fifth and Sixth quartets for Harmonia Mundi.
Among Zimmerman's more acclaimed recordings as a soloist is her 2009 CD on Myrios Classics of viola sonatas by Reger and J.S. Bach, the latter transcribed from cello originals.


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